Emilio Sanchez, Revisited
Jun 10, 2021 – Aug 14, 2021
INSTALLATION VIEWS
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Casa Grande, 1968
oil on canvas 72 x 72 inches
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Colonia Jaguey, El Chalecito, 1954
watercolor on paper 22 x 30 inches
![Untitled [Yellow Tulips], n.d.](https://lnsgallery.com/wp-content/uploads/2024/04/EmilioSanchez03.jpg)
Untitled, Yellow Tulips, n.d.
watercolor on paper 21 ¾ x 15 inches
![Untitled [New England Streetscape], n.d.](https://lnsgallery.com/wp-content/uploads/2024/04/EmilioSanchez04.jpg)
Untitled New England Streetscape, n.d.
watercolor on paper 14 ½ x 22 inches
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Beach House on an Island in Cienfuegos Harbor in Cuba, ca. 1950
oil on canvas 30 x 44 inches
![Untitled [Dutch House], n.d.](https://lnsgallery.com/wp-content/uploads/2024/04/EmilioSanchez06.jpg)
Untitled Dutch House, n.d.
oil on canvas 30 x 30 inches
![Untitled [Road House / El Vencedor], ca. 1965](https://lnsgallery.com/wp-content/uploads/2024/04/EmilioSanchez07.jpg)
Untitled Road House , El Vencedor, ca. 1965
oil on canvas 24 ¼ x 48 inches
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Casita de Paz, 1999
oil on canvas 48 x 56 inches
Emilio Sanchez (1921–1999) was a Cuban American artist known for his architectural paintings, drawings, and graphic prints of New York, Latin America, and the Caribbean. As a practitioner of realism, he was attracted to folklore and the vernacular, with architectural scenes of everyday life taking preference over the great historical narratives of western civilization. His keen eye and remarkable ability to edit incidental elements also made him a painter of dreamlike architectural enigmas, as if the buildings he depicted existed only in memory.
Sanchez’s work is in the permanent collections of many institutions, including the Metropolitan Museum of Art (New York, NY), the Boston Museum of Fine Arts (Boston, MA), the Brooklyn Museum of Art (Brooklyn, NY), the Hirshhorn Museum and Sculpture Garden (Washington, DC), the Museo Nacional de Bellas Artes de La Habana (Havana, Cuba), the Museo de Arte Moderno (Bogotá, Colombia), and the Philadelphia Museum of Art (Philadelphia, PA). He received First Prize at the 1974 San Juan Biennial in Puerto Rico, and was awarded the CINTAS Fellowship in the Visual Arts (1989-90). His remarkable story, like that of his tragic country, is a tale of powerful contrasts, intense light, and mysteriously penetrating shadows.
The paintings presented in the main gallery are a cross section of Sanchez’s finished work, consisting mainly of in situ watercolors and more elaborate, studio-based oil on canvas paintings. LnS Gallery would like to express its sincere gratitude to the many lenders of this show, and in particular the Emilio Sanchez Foundation for their continued support and to Dr. Victor Deupi for his dedication to the exhibition and for his insightful essay.
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