Tony Vazquez-Figueroa, PETROPIAS

Nov 19, 2021 – Jan 22, 2022

INSTALLATION VIEWS

Black Mirror Painting / Re-Surface, 2021

resin, acrylic paint, and rubber on canvas 108 x 72 inches

Re-Emergence Study #2, 2021

plexiglass, wood, metal, and acrylic paint 65 x 51 inches

Re-Emergence 2, 2021

plexiglass, wood, metal, and acrylic paint 66 x 60 inches

Re-Emergence 1, 2021

wood, metal, plastic, plexiglass, acrylic, PETG plastic thermoforming plastic, 40 x 36 inches

Petropias I Facades 1, 2021

archival print of a found agfachrome slide manipulated with laser cut and acrylic edition of 3 + 2AP 32 x 43 inches

Petropias I Refinery, 2021

archival print of a found slide manipulated with laser cut and acrylic edition of 3 + 2AP 32 x 43 inches

Petropias I It Is Everywhere, 2021

archival print of a found ektachrome slide manipulated with laser cut and acrylic edition 32 x 43 inches

Petropias I The Great Silence, 2021

archival print of a found agfachrome slide manipulated with laser cut and acrylic edition of 3 + 2AP 43 x 32 inches

Petropias I Another Time; Crossroad, 2021

archival print of a found kodachrome slide manipulated with laser cut and acrylic edition of 3 + 2AP 43 x 32 inches

Petropias I The Great Impression #1, 2021

archival print of a found agfachrome slide manipulated with laser cut and acrylic edition 32 x 43 inches

Petropias I At The Sheraton, 2021

archival print of a found agfachrome slide manipulated with laser cut and acrylic edition 32 x 43 inches

Petropias I An Old New Destination, 2021

archival print of a found kodachrome slide manipulated with laser cut and acrylic edition 32 x 43 inches

Petropias I It Is The West, 2021

archival print of a found agfachrome slide manipulated with laser cut and acrylic edition of 3 + 2AP 32 x 43 inches

Petropias I Lago, 2021

archival print of a found agfachrome slide manipulated with laser cut and acrylic edition of 3 + 2AP 32 x 43 inches

LnS GALLERY is honored to present Tony Vazquez-Figueroa’s solo exhibition Petropias, a culmination of three years of work by the multimedia artist. This immersive collection of paintings, photography, and sculptures will enrapture the audience in the artist’s interpretation of the worldwide impact of the petroleum industry. Petropias is Vazquez-Figueroa’s second solo exhibition at LnS Gallery and is curated by Tami Katz-Freiman.

Vazquez-Figueroa is an internationally trained, Miami-based artist, born and raised in Venezuela. His deeply personal investigation into how oil-rich countries create unique physical environments, like oil refineries, and peculiar socio-economic and cultural environments led to the formation of Petropias, a term coined by the artist.

As elaborated on by Tami Katz-Freiman in the accompanying catalogue essay, “Venezuela, as viewed through Vazquez-Figueroa’s critical eyes, is neither a utopia nor a dystopia, but rather a heterotopia (from the Greek hetero=different, and topos=place), a term employed by the French philosopher Michel Foucault…Foucault attends to the manner in which those excluded from the public sphere are defined within clearly circumscribed spaces that compromise, and sometimes even negate, their power and their very identity.”

This becomes the undercurrent of the exhibition. Vazquez-Figueroa’s adapted Petropias, plays on the petrostate, revolving around the idea of holes, refineries, and containers that are revealed by structurally and metaphorically through methodologies that are innovative and challenging exemplifications of craftsmanship, artistry, and science.

In culmination, Vazquez-Figueroa declares, “I lived in a Petropia (Venezuela) and I learned to love it and understand it with its enormous defects and my enormous voids. I was ‘thrown into a world,’ into a Petropia, and found my way around it, escaping some of the terrible ideas that were imposed upon me.”